Aboriginal Canada Revisited by Kerstin Knopf

By Kerstin Knopf

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Big Bear Films. Kunuk, Zacharias, dir. (2001). Atanarjuat: The Fast Runner. Writs. Paul Apak Angilirq and Norman Cohn. Igloolik Isuma Productions. /writ. (2005). The New World. New Line Cinema. /writ. (1998). Honey Moccasin. Turtle Night Productions. /writ. (2005). Suite: Indian. Shelley Niro Production. /writ. (1993). Kanehsatake: 270 Years of Resistance. National Film Board of Canada. Podemski, Jennifer, and Laura Milliken, prods. (2001). Laurel. Writ. Patrick Tenascon. Big Soul Productions.

A process of democratizing and networking can permit gender barriers to fall, and in the process of naming, protect and recreate a cultural legacy steeped in millennia. By sharing this project of decolonization with Indigenous people around the world, it can be consolidated, strengthened, and constructed in a mutually beneficial way. As a member of the Ahousaht First Nation, Nuu-chah-nulth, I embarked on post-secondary studies late in life, with a view to discovering ways and means to untangle the oppression of mainstream programs and institutions in a manner that values Nuu-chah-nulth culture and history.

Miller, J. R. (2000). Skyscrapers Hide the Heavens: A History of Indian-White Relations in Canada. 3rd ed. Toronto, Buffalo, London: U of Toronto Press. Ross,, Ian. fareWel. 6th ed. Winnipeg, MB: J. Gordon Shillingford Publishing Inc. Ruffo, Armand Garnet. (1996). Grey Owl: The Mystery of Archie Belaney. Regina, SK: Coteau Books. Sioui, Georges E. (1992). For an Amerindian Autohistory, trans. Sheila Fischman. Montreal, QC and Kingston, ON: McGill-Queens University Press. /prod. Tkaronto. The Breath Films.

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