American Modernist Poets (Bloom's Modern Critical Views) by Harold Bloom

By Harold Bloom

The increase of modernism marked one of many significant transitional classes in modern literature. the yank modernist poets created a wealthy legacy of their verse explorations of a global touched through conflict, swift industrialization, and the becoming perceived alienation of the person. The innovators featured during this quantity contain Ezra Pound, e.e. cummings, Edna St. Vincent Millay, and Carl Sandburg and their abiding affects. serious essays learn those poets and their works, with a chronology, bibliography, index, and an introductory essay by way of grasp student Harold Bloom finishing the name.

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American Modernist Poets (Bloom's Modern Critical Views)

The increase of modernism marked one of many significant transitional classes in modern literature. the yankee modernist poets created a wealthy legacy of their verse explorations of an international touched by way of struggle, speedy industrialization, and the growing to be perceived alienation of the person. The innovators featured during this quantity contain Ezra Pound, e.

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Outlast you: Poet Beats Fire at Its Own Game! The bottle! the bottle! the bottle! the bottle! I give you the bottle! (P, 113–18) The birth of spring in Spring and All (1923) was similarly preceded by a drunken, violent upheaval: “The imagination, intoxicated by prohibitions, rises to drunken heights to destroy the world. Let it rage, let it kill” (CP1, 179). The following excerpts from Ball’s diary in transition may have inspired Williams to make the library in Book Three a synecdoche for the vaguer world of Spring and All and to shift his symbolic liberating action from murder to arson: “January 9, 1917—We should burn all libraries and allow to remain only that which every one knows by heart.

She is so meticulous and so original that she tends to be both underread and rather weakly misread. Most frequently she is praised for her “eye,” as though she were a master of optics. But her actual achievement is to see what cannot quite be seen and to say what cannot quite be said. The influence of Wallace Stevens on her work rendered Bishop rather uneasy, and she would like to have been considered a disciple of Marianne Moore, her friend and mentor. But poets are chosen by their precursors: They 40 Harold Bloom do not choose.

And I singing uselessly, uselessly all the night. Canto 82 rather movingly has shown the incarcerated poet studying the nostalgias of his early literary life, while meditating on the unrighteousness of all wars. A vision of the earth now comes to him, in response to his partly repressed recall of Whitman’s vision of the sea. Marrying the earth is Pound’s counterpart to Whitman’s marrying the sea, both in “Out of the Cradle Endlessly Rocking” and in “When Lilacs Last in the Dooryard Bloom’d,” and both brides are at once death and the mother.

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