The Golden Spruce: A True Story of Myth, Madness, and Greed by John Vaillant

By John Vaillant

While a shattered kayak and tenting apparatus are chanced on on an uninhabited island within the Pacific Northwest, they reignite a secret surrounding a surprising act of protest. 5 months past, logger-turned-activist supply Hadwin had plunged bare right into a river in British Columbia's Queen Charlotte Islands, towing a chainsaw. whilst his night's paintings was once performed, a special Sitka spruce, a hundred sixty five toes tall and coated with luminous golden needles, teetered on its stump. days later it fell.
As vividly as John Krakauer places readers on Everest, John Vaillant takes us into the guts of North America's final nice wooded area.

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In late spring The Principles of Copyright 29 of 1869 Daldy travelled to O awa, where he enquired into Canada’s intentions and was directed to Rose. 31 The document appears to begin practically, spelling out the conditions on which a new Canadian copyright act could be acceptable. 5 per cent import duty would have to be abolished, which would deactivate the Foreign Reprints Act; every copy of a Canadian edition of a British copyright work would have to bear a government stamp and include the words Colonial Edition on the title page; the licensed Canadian printer would have to pay 10 per cent on every copy produced before any le his shop; and so forth.

In April 1869 he demanded that all government correspondence on the issue since his address of the previous year be made public. This request could not pry internal documents out of the British government, but it did lead to the printing of le ers received by the Canadian government, including Lovell’s le er and Rose’s two memoranda. 49 Each time Ryan spoke, Alexander Campbell, the postmaster general and the leader of the government in the Senate, assured him that something was being done, but the dwindling correspondence suggested the opposite.

Yet another problem, also brought into relief by Routledge v. Low, was that Canadian editions did not qualify for imperial copyright. The 1842 act, informed by mercantilism, was designed to concentrate book production in Britain and to make the rest of the empire a vast export market. To this end, it withheld imperial copyright from works originally published in a British possession overseas. First publication had to occur in the United Kingdom. Original Canadian editions were thus exposed to unauthorized reprinting not only in the United States but also in Britain and the other colonies.

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