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Additional info for Translating Life Studies in Transpositional Aesthetics (Liverpool University Press - Liverpool English Texts & Studies)
7. Young, Something of Great Constancy, p. 157: ‘just as the “marriage” is probably never consummated, so is the transformation incomplete’. 8. Carroll, Metamorphoses, p. 152. 9. Jan Kott, The Bottom Translation, trans. Daniel Miedzyrzecka and Lillian Vallee (Evanston, IL: Northwestern University Press, 1987). 10. T. B. Boecher, ‘Bestial Buggery in A Midsummer Night’s Dream’, in The Production of English Renaissance Culture, eds D. L. Miller et al. (Ithaca and London: Cornell University Press, 1994), pp.
Golding’s 1567 translation quoted from Shakespeare’s Ovid, being Arthur Golding’s Translation of the Metamorphoses, ed. W. H. D. 464–67. All quotations from Golding are from this edition. 9. The poem was reprinted in 1640 with a firm attribution to Beaumont. 10. Quotations from the text in Elizabethan Minor Epics, ed. Elizabeth Story Donno (New York: Columbia University Press; London: Routledge and Kegan Paul, 1963). Elizabethan Translation 51 11. As does a passage in which Phoebus Apollo, the sun god, slips out from the bed of Leucothoë in order to dally with Salmacis.
330). The blazon is a much-favoured poetic device because it is selfperforming: the undressing enacts that image-by-image, metaphor-by-metaphor, progression which is the poet’s own art. In his description of Hermaphroditus, Ovid’s instinct as an artist is to take pleasure in imaging the metamorphosis of a male body into an artwork. His loveliest simile is of Hermaphroditus swimming, Elizabethan Translation 43 in liquidis translucet aquis, ut eburnea si quis signa tegat claro vel candida lilia vitro (Met.