By Wendy Hui Kyong Chun
New Media, Old Media is a complete anthology of unique and vintage essays that discover the tensions of previous and new in electronic tradition. top foreign media students and cultural theorists interrogate new media just like the web, electronic video, and MP3s opposed to the backdrop of prior media comparable to tv, movie, images, and print. The essays supply new benchmarks for comparing all these claims; political, social, moral, made in regards to the electronic age. dedicated to ancient examine and to theoretical innovation, they recommend that during the sunshine of electronic programmability, doubtless forgotten moments within the heritage of the media we glibly name outdated might be rediscovered and reworked. the numerous themes explored in provocative quantity comprise web pages, webcams, the increase and fall of dotcom mania, web journalism, the open resource move, and machine viruses.
New Media, outdated Media is a foundational textual content for basic readers, scholars, and students of latest media around the disciplines. it's crucial analyzing for someone attracted to figuring out the cultural impression of latest media.
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Additional info for New Media, Old Media: A History and Theory Reader
7. His account of the development are available in count number [Theodor A. L. ] du Moncel, Le Téléphone, le microphone et le phonographe (Paris: Hachette, 1878). The anecdote is stated from the “Authorized translation with additions and corrections by way of the Author,” released because the mobile, the Microphone and the Phonograph (1879; reprint, ny: Arno Press, 1974): 244–245. eight. Kittler, fifty nine. certainly, as Kittler is going directly to clarify, Berliner’s gramophone won its all over the world recognition as a flat disc expertise that introduced sound “pre-recorded” via the checklist whereas Edison’s (cylinder) phonograph enabled person clients themselves to checklist and shop the sounds of everyday life yet for that reason remained a truly inner most (and hence commercially less profitable) medium. nine. Alfred Mayer, “On Edison’s Talking-Machine,” well known technology per 30 days, 12 March 1878, 723. 10. H[arry] A. Potamkin, ‘“Playing with Sound,”’ within the Compound Cinema: The movie Writings of Harry Alan Potamkin, ed. Lewis Jacobs (New York: Teacher’s collage Press, 1977): 87. First released in pack up 7, no. 2 (August 1930). Reprinted as a facsimile in pack up: dedicated to the paintings of flicks, vol. 7: July–December 1930, ed. Kenneth Macpherson and Bryher (New York: Arno Press, 1971): 114. eleven. This account of Dyer’s testimony on the congressional hearings are available in Lisa Gitelman, “Reading track, studying files, analyzing Race: Musical Copyright and the "Tones from out of nowhere" ninety five U. S. Copyright Act of 1909,” The Musical Quarterly eighty one, no. 2 (Summer 1997): 275. Reprinted in an elevated model as bankruptcy three, “Patent tool, studying computing device” in Lisa Gitelman, Scripts, Grooves, and Writing Machines: Representing expertise within the Edison period (Stanford: Stanford college Press, 1999): 97–147. 12. “Die Frage, ob die Eindrücke auf den Flatten und Walzen als Schriftzeichen im Sinne des § forty-one St. G. B. anzusehen seien, müsse bejaht werden. Die Laute der menschlichen Stimme würden beim Phonographen in gleicher Weise fixiert wie durch die Buchstabenschrift. Beide seien eine Verkörperung des Gedankeninhaltes, und es mache keinen Unterschied, daβ die Buchstabenschrift diesen Inhalt durch das Auge, der Phonograph ihn aber durch das Gehör vermittele, denn auch die Blindenschrift, die ihn durch das Tastgefühl vermittele, sei eine Schrift im Sinne des § 41,” “Die Sprechmaschinenschrift und die bestehenden Gesetze,” Phonographische Zeitschrift 7, no. nine (1906): 198. (Unless another way famous, all translations are authors personal. ) thirteen. Alexander Melville Bell, noticeable Speech: The technology of common Alphabetics; Or SelfInterpreting Physiological Letters for the Writing of All Languages in a single Alphabet (London: Simpkin, Marshall, 1867). See additionally Scherer, “Klaviaturen, noticeable speech und Phonographie,” 49f. curiously, this distinction in concentration used to be already take place on the flip of the century, as evidenced by way of the outlet line of a 1903 editorial that reads: “Strangely sufficient, phonographic writing is usually of larger curiosity to linguists than it truly is to phonograph technicians.