Just about all scholars have obvious 2001, yet almost none comprehend its inheritance, its complexities, and definitely no longer its ironies. The essays during this assortment, commissioned from a large choice of students, learn intimately numerous attainable readings of the movie and its ancient context. additionally they study the movie as a style piece--as the summa of technology fiction that at the same time appears to be like again at the technological know-how fiction conventions of the earlier (Kubrick started contemplating creating a technological know-how fiction movie in the course of the genre's heyday within the fifties), rethinks the conference in gentle of the time of the film's production, and in flip adjustments the glance and that means of the style that it revived--which now is still as admired because it used to be nearly 4 many years in the past. developed out of its director's specific highbrow interest, his visible sort, and his specific notions of where of human employer on the earth and, consequently, the universe, 2001 is, like any of his movies, greater than apparently, and it retains revealing extra the extra it really is noticeable. even though their backgrounds and disciplines vary, the authors of this essay assortment are united via a expertise for energetic but incisive writing that cleaves heavily to the text--to the movie itself, with its contextual and intrinsic complexities--granting readers privileged entry to Kubrick's bold, elaborate vintage paintings of technological know-how fiction.
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Additional resources for Stanley Kubrick's 2001: A Space Odyssey: New Essays
Floyd is the antithesis of the ostensibly malevolent scientist of traditional technology fiction who's passionately fed on with the search for wisdom to influence the transformation of humanity into godlike or demonic creatures. Floyd as scientist is with no impact, a sleepwalker, a transmitter of clichés, un-self-consciously imbued with a feeling of superiority. His gaze is belligerently opaque in his short yet low-key “fight” with Smyslov (Leonard Rossiter). Floyd is “consistently informal, affable, and bored, donning an analogous friendly managerial masks even if it confronts a precise stranger’s face, the video photograph of his daughter’s face, or that man made sandwich. ”11 he's shaped within the picture of the mechanistic international he inhabits. even though pointed out with area trip, he's detached, if now not inured, to the mysteries of outer apace. His affinity with the apes turns out imprecise. he's not a predator for nutrients, and his territoriality is expressed via his reductive use of language to hide his army targets. He seems to be a creature of verbal language instead of of vocalization, yet his use of phrases indicates, in Thomas Allen Nelson’s phrases, “an archaic and earthbound verbal luggage. Language has now not stored velocity with a technological access right into a universe a long way past the limits of Earth. ”12 Floyd’s speech and behaviour are dissonant with the continuity, openness, and vastness of house. ninety two STANLEY KUBRICK’S 2001 Despite the elaborateness of the know-how and the sophistication of the instrumentation, this episode stocks with the postmonolith apes a preoccupation with territoriality (defending a declare to an occupied area), an assumption of the prevalence of state, technological know-how, and know-how. If the apes don't converse through phrases, satirically neither does Floyd. The episode with him portrays the mind of the scientist as consecrated to nation strength and consequently to paranoia, secrecy, and deception. Language is his software to mystify and hide; briefings are cryptic and authoritarian; the dialog with the Russians is in a similar fashion competitive and withholding: “language conspires with politics and a primitive social hierarchy to hide the invention of the monolith. ”13 Conspicuously, his restricted and regulated physique activities, verbal impoverishment, and constrained sensory-motor potential find him in a global the place intelligence is concentrated on suspicion, the place the mind looks indifferent from the physique, and the place wisdom implies secrecy. during this episode, the physique disappears; it doesn't make judgements. The mind offers orders; it truly is in command yet, as portrayed via Floyd, the human mind has turn into really good, able to functional considering when it comes to potential and ends, yet woefully poor in mind's eye, feeling, empathy, and artistic task. The war of words of Floyd and the opposite males with the monolith, which parallels that of the apes, obscures the men’s our bodies, giving them the impact of extraterrestrial beings, taking a look just like the insectlike or robot figures primary in well known technology fiction motion pictures.