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Whereas doing this, he fails to note the mark on its physique, a chip in its ear (its genitals are lined by means of a type of nappy). Balthazar is killed. What occurs subsequent? good, Sarrasine’s sculpture is copied into marble by way of the Cardinal’s (his killer’s) males, and deposited in a museum. The de Lanty relations, whose mom is l. a. Zambinella’s niece, have the artist Vien reproduction it as a portray: it turns into the Adonis which began the complete tale off through sparking Mme de Rochefide’s interest. one other painter, Girodet, then makes use of Vien’s Adonis because the resource for his personal paintings depicting Endymion and the moon. Copies, copies, copies: what turned of the unique we don't discover. could an analogous find-and-replace workout paintings the following? virtually – yet Hergé’s plot is cleverer. After killing Balthazar, his assassin Tortilla locations the replica he has commissioned from the sculptor again within the museum he robbed within the first position, passing it off because the unique. yet, unbeknown to him, Balthazar has made copies, and handed considered one of them off to Tortilla because the unique. successfully, Tortilla performs the function of either the Cardinal (killing, having a duplicate made) and of Sarrasine, taking for an unique what used to be in reality a pretend. He, too, can be killed. And so, too, as we've seen, will his killers, who, like him, wish to make a fortune from what lies hid within the fetish. Balthazar’s brother, a advertisement sculptor, unearths the true unique in his trunk after his dying and, blind to its provenance, has thousands of copies of it made in his artisan-studios, promoting those to safe, if no longer a fortune, then not less than a average resource of source of revenue. Had Hergé learn Sarrasine whilst he wrote The damaged Ear? potentially. by way of The crimson Sea Sharks the reply has to be ‘probably’. it really is difficult to not see within the stupendous ball on board the Scheherazade a mirrored image of the de Lantys’ celebration, the place ‘milling approximately, whirling round, flitting the following and there, have been the main appealing ladies in Paris, the richest, the noblest, amazing, stately, resplendent with diamonds, plant life of their hair, on their bosoms, on their heads, strewn over attire or in garlands at their feet’, whereas a now-aged l. a. Zambinella, who has the air of ‘a form of Faust’, slinks between them ghoul-like. it truly is even tougher to not listen within the gossip of the fancy-dressed site visitors of di Gorgonzola (who strikes between them dressed as Faust’s adjust ego Mephistopheles) an echo of the de Lantys’ revellers’ chatter. ‘Naturally, malicious tongues unfold rumours that he has a shady past,’ a monocled nobleman of Hergé’s mutters to a pharaoh. ‘Even if it’s the devil,’ says a political candidate of Balzac’s, ‘they supply a marvellous social gathering’ – to which a thinker ecstatically provides: ‘Even if count number de Lanty had robbed a financial institution, I’d marry his daughter any time! ’ ‘Nobody knew what nation the de Lanty relatives got here from, or from what enterprise, what plunder, what piratical job, or what inheritance derived a fortune anticipated at a number of millions,’ writes Balzac. the reply, after all, is they come from Italy and that their fortune comes from a back-story of seduction, copying and homicide – that's, it comes from l. a. Zambinella, who accumulated it in the course of ‘her’ occupation as an opera singer – and it involves them not directly, ‘sideways’: ‘she’ can have no heirs.